Elizabeth Batton

"In her Indianapolis Opera debut, mezzo-soprano Elizabeth Batton turns in a searing portrayal of Charlotte, who favors duty over passion, then belated realizes she is missing out on the love of her life.  One of Batton’s greatest moments comes during her Act 3 aria, which works its way from mournful lyricism to a piercing climax."

– Indianapolis Star

 

“The serious singing in this cast goes to the quartet of lovers, who could hardly have been more fittingly cast.  Vocally opulent, the romped through Curran’s rather minimal sets with athleticism and a spirit of fun…..Elizabeth Batton’s near-contralto tones gave sensuality to Hermia."

– Opera News Online

 

"As the muse who transforms herself into Hoffmann’s friend Nicklausse, Elizabeth Batton acquitted herself admirably.  Her arias drew the audience in with a variety of emotions and her humorous moments were equally well-received."

– LA Daily News

 

“The Mass went better, partly because it is a better piece, but also as a result of strong work from the Concert Chorale of New York and the soloists.  They made the point about Bruckner’s complexity in their different attributes: the soprano Meagan Miller’s adamant flame, the mezzo-soprano Elizabeth Batton’s alluring and comforting warmth, the tenor…”

– New York Times